Mastering: Taller Intensivo con iZotope

Dale a tu Música la calidad, la nitidez y la potencia de sonido antes de publicarla en Spotify, Apple Music, Soundcloud o Beatport.

DJLab te ofrece el primer Taller Especializado en Mastering con la Tecnología de iZotope Ozone, el Software Avanzado para Profesionales del Sonido.

Miércoles y Jueves | 6 a 9pm cada día

Este Taller será impartido por Jonathan Wayner, Especialista de iZotope, Profesor en Berklee College of Music e Ingeniero de Sonido de artistas como David Bowie, the Cream, Kiri Te Kanawa, Aerosmith, Nirvana, the London Symphony Orchestra, Aimee Mann, Pink Floyd, Pete Seeger y Bruce Springsteen.

Abierto a Productores/as Musicales e Ingenieros/as de Sonido. Cupo limitado.

Valor de la Inscripción: $197 USD

Aprovechá la Promoción Early Bird y ahorrá $27 USD en tu inscripción antes del 1º de Noviembre

Inscribite antes del 1º de Diciembre al correo info@djlabcr.com

* Incluye Descuentos Exclusivos de hasta 50% en plugins de Mixing & Mastering de http://izotope.com

             

The Workshop

Core Values of Mastering
Audio Basics for Mastering
How Mastering Engineers listen
Loudness & Clarity
EQ, Compression & Limiting: The Basic Tool Kit
Mastering Workflow & Signal path
Techniques to achieve good results
Special problem solving techniques
Multi-band, Imagers & other fancy Tools
Masters for Distribution (Apple Music, Spotify, etc)

             

Jonathan Wyner

Jonathan Wyner is Chief Engineer at M Works Mastering, Technologist, Education Director for iZotope in Cambridge, MA, Professor at Berklee College of Music in Boston. 

As musician and performer, he's mastered and produced more than 5000 recordings during the last 30 years. Credits include James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Semisonic, Thelonius Monk, Pink Floyd, Cream, Bruce Springsteen and Nirvana. 

He has several accolades, including production of the Grammy Nominated soundtrack for PBS special Invention and Alchemy (Deborah Henson-Conant, 2005), the mastering of the first recording of a full length opera (Madame Butterfly 1912, BBC), and the first interactive CD game (Play it By Ear, Rykodisc). In 2012 he authored 'Audio Mastering: Essential Practices' published by Hal Leonard/Berklee Press. 

Jonathan lectures on music and audio topics around the world having presented with George Massenburg, Doug Sax and Bob Ludwig among others.

http://www.m-works.com
https://www.izotope.com/en/learn/jonathan-wyner.html
http://www.aes.org/aes/jonathanwyner

             

+ info@djlabcr.com